Leslie DE CHAVEZ
Leslie DE CHAVEZ(b.1978) is an artist who cautiously unravels his own inquiry on sensitive topics like colonial history, religion, cultural imperialism, corrupt politics, revolution in which experienced by his native Philippines with expressive and intense paintings and sensuous installations. His work, captures the story of the past, the people living in the present, and the will for the future, which mainly constitutes a country of the contemporaneous Philippines and offers an extraordinary insight into the past and features an interesting and colorful expression of various critical points that are seen in contemporary society by mixed with religion and symbolic figures.
The foundation of his creative work is a deep concern about what role and function art plays in society. DE CHAVEZ captures social change and criticizes irrationality and corruption and exposes them in front, has a mysterious, personal aspect, despite brings empathy from the majority. Fragmented memories of individuals scattered over large and rough historical facts, by using it with objects or people surrounding, connect the past and present, and social and individual relationships. Interest in objects that are commonly found is the starting point for his work. His carving work is a mix of materials, urban or mechanical production, such as LEDs and sand, as well as objects once used, such as wooden boards, old monitors and clothes. Regardless of the genre, the people and the stories it's behind in his work, it captures the painful past and reality that cannot be ignored. The stories are extremely based on Filipino society and history, but it is never just a story of a particular society, but anyone can relate to it.
Leslie DE CHAVEZ has held solo exhibitions at Arario Gallery Shanghai (Shanghai, China) in 2018; Arario Gallery Seoul (Seoul, Korea) in 2016; Liverpool Hope University (Liverpool, UK) in 2015; and Silverlens (Manila, Philippines) in 2013. He has shown in group exhibitions at the Danubiana Meulensteen Art Museum (Bratislava, Slovakia) in 2019; Jeju Museum of Contemporary Art (Jeju, Korea) in 2015; and Arario Museum in Space (Seoul, Korea) and López Museum and Library (Manila, Philippines) in 2014. The artist has also participated in international exhibitions including the Singapore Biennale (Singapore) in 2013; Asian Art Biennial (Taiwan) in 2011; Nanjing Triennial (China) in 2008; Pocheon Asia Biennale (Korea) in 2007; and Beppu Asia Biennale of Contemporary Art (Japan) in 2005.
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There Is Not Enough Pain and Pleasure in the World to Permit Giving Any of It Away to the Greed of Mankind, 2022
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The Parable of the Poet in the Anguish of Existence, 2021
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Pablo, 2020
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Subjugating the Nuclear II: Ang Pagdadalisay, 2020
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Aninag (Glare), 2018
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Bangkulasi, 2018
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Bought and Sold, 2018
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Buro (Fermented), 2018
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Déjà vu, 2018
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Ego-Altered-Ego, 2018
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Every Drop, 2018
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Gold, Silver, Death, 2018
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Hide and Seen, 2018
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Higa sa Hangin (Lying Down in Air), 2018
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Imor(t)al: Those Who Do Not Move Do Not Notice Their Chains, 2018
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Lagabag ng Pangakong Katubusan (Fall of the Promised Deliverance), 2018
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Lason ang Tula at Panghimagas Nitong Talinhaga (Poem as Poison and Its Metaphor as Dessert), 2018
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Nightmare to the Peace in Heaven, 2018
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Pinalakpak: After Prometheus Unbound, 2018
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Props: Estados Aparatos (Props: State Apparatus), 2018
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Sandata ng Diwa, 2018
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State of the Nation II, 2018
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To the Person Sitting in Darkness, 2018
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What We Don't Know Won't Hurt You, 2018
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Memoir of Traitor's Love, 2017
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Apog, 2016
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The escape to being and becoming, 2016
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Dead Calm, 2015
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24 Men, 2014
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Highest quality, 2014
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I just can't stop loving you, 2014
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I Swallow Me Everyday, 2013
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DPWH Meme The Penetration , 2012
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Dengue, 2011
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Midnight shift, 2011
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Mondays Are Forever, 2011
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PDA System Motherfuckers, 2011
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The Dictator, 2011
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Thy will be done, 2011
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Trick or Threat, 2011
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Vanity = Spectacle + Drama, 2011
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Bureau-Crazy, 2010
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Household Virtue No. 1, 2010
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Numb, 2010
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Pleghm , 2010
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Same Old Bananas, 2010
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Talampunay, 2010
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Asian Wave, 2007
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Everyday, 2007
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LBFM: Lilly, 2007
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Natamong Korona (Crowning Glory), 2003
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Leslie DE CHAVEZ: The Allegory of the Cave
25 August - 21 October 2018 Shanghai -
VOICE OF ASIA
1 July - 27 August 2017 Shanghai -
Between the Street and the Mountain: Four Artists from the Philippines
26 July - 2 September 2016 Shanghai -
Leslie DE CHAVEZ: The Sleep of Reason
17 March - 1 May 2016 Seoul -
Artists with Arario 2011: Part 3
12 January - 26 February 2012 Seoul -
Leslie DE CHAVEZ: God is Busy
15 November - 15 January 2011 CheonanPeriod | Tuesday, November 15th – Sunday, January 15th, 2012 Venue | Arario Gallery Cheonan Works | 22 pieces including installation, sculpture and painting Opening Reception | 5pm, Tuesday, 15...Read more -
Beacons of Archipelago
9 December 2010 - 13 February 2011 CheonanPeriod | 9 December – 13 February, 2010 Venue | Arario Gallery Cheonan, Seoul cheongdam Works | 40 pieces including installation, painting, sculpture Opening Reception | 6pm, 9 December, 2010...Read more -
Beacons of Archipelago: Contemporary Art from Southeast Asia
9 December 2010 - 16 January 2011 SeoulPeriod | 09 December, 2010 – 16 January, 2011 Venue | Arario Gallery Seoul samcheong Works | 8 pieces including installation, sculpture and painting Opening Reception | 5pm Thursday, 09...Read more -
Collection Show 2010
6 July - 15 August 2010 Seoul -
Artists with Arario
9 February - 21 March 2010 CheonanPeriod | 9 February – 21 March, 2010 Venue | Arario Gallery Cheonan, Seoul cheongdam Works | installations, paintings and sculptures Opening Reception | 6pm, 9 February, 2010 Paticipating Artists...Read more -
Artists with Arario
9 February - 30 March 2010 Seoul -
Leslie DE CHAVEZ: Red Eyed Brother
31 July - 26 August 2007 Seoul -
Leslie DE CHAVEZ
15 April - 15 May 2007 Shanghai
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[News] MEME: The Simplified Head
July/Aug 2024The Brooklyn Rail, Tony GodfreyRead more -
[ FAIR ] ART SG 2023
3 January 2023Arario Gallery is pleased to announce its participation in ART SG 2023. With 12 artists, whose artworks derive from diverse cultures and societies, Arario Gallery...Read more