JEONG Kyeongbin
JEONG Kyeongbin (b.1993) unfolds thoughts about life and death on the synesthetic screen painted with the image of the body. White Wall_Bodies and Ground (2023) is a painting that stands out for its metaphor of likening the canvas surface to skin. Imagining the process of a buried body gradually surfacing on the ground, the painting fills the view with layers of blood-red flesh peeled off. In Clearer than Death (2021), the willow branches on the screen are combined with the image of hair that fell out incessantly on sick days. Death is scary because it also approaches through the body. The brilliantly painted screen is a trace of life buried a step away from such fear.
JEONG Kyeongbin was born in Seoul in 1993. She recieved her BFA Fine Art at Korea National University of Arts in 2018. She has held solo exhibitions at Sahng-up Gallery (Seoul, Korea, 2022), Gallery175 (Seoul, Korea, 2020), Instant Roof (Seoul, Korea, 2020). She has participated in group exhibitions at ARARIO GALLERY SEOUL (Seoul, Korea, 2024), Museumhead (Seoul, Korea, 2023), HITE Collection (Seoul, Korea, 2023), Sahng-up Gallery (Seoul, Korea, 2023), WESS (Seoul, Korea, 2023; 2021), Art Space 3 (Seoul, Korea, 2022), This Is Not a Church (Seoul, Korea, 2021) and more.
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Art in Culture: Landing Point
Kwon Hyuck Gyu, Art in Culture, 1 March 2024 -
Allure: Landing Point
Lee Jae Yoon, Allure, 3 February 2024 -
Vogue: Landing Point
Hwang Hye Won, Vogue, 24 January 2024 -
Maeil Business: Landing Point
KIM Seul Gui, Maeil Business, 22 January 2024 -
KtN: Landing Point
Lim Woo Kyung, KtN, 12 January 2024 -
Noblesse: Landing Point
Park Jae Man, Noblesse, 11 January 2024 -
Aju Korea Daily: Landing Point
Jeon Sung Min, Aju Business, 11 January 2024 -
Newsis: Landing Point
Park Hyun Joo, Newsis, 11 January 2024