三枝由季
Yuki SAEGUSA (b. 1987) is an artist known for her series of paintings that primarily use oil and tempera, experimenting with a variety of materials and media. SAEGUSA’s works present landscapes of an ideational world, consciously reconstructed through complex personal memories and perspectives. SAEGUSA draws inspiration from traditional Japanese landscape painting and Northern European Flemish painting. This is part of an attempt to blend both Eastern and Western painting styles. Her landscapes, based on the scenery of her hometown, Azumino City (安曇野市), evoke the composition of traditional East Asian landscape paintings by incorporating multiple viewpoints in a single frame, while also recalling the detailed depiction and mystical narrative structure of Flemish paintings.
The scenes on SAEGUSA’s canvases stem from thoughts about "a place that exists in someone's mind but nowhere in reality." Each meticulously depicted scene paradoxically reveals the uncertainties and ambiguities of personal daily experiences, subjective memories, and imagination. In the finely detailed landscapes, small animals with cartoonish forms from another world which represent projections of the artist and the audience are seen. SAEGUSA also uses cardboard and folding screens she has personally collected as supports for her paintings, which she describes as "objects that were once used and destined to be discarded". She views the wrinkles and stains on these surfaces as the "memories of the materials(素材の記憶)". By painting on them, she merges the unique memories of each material with her own thoughts and gestures, creating a unique scene that is “a place where there is no place."
Yuki SAEGUSA was born in Nagano Prefecture, Japan, in 1987. After graduating from the Oil Painting Department at Nagoya University of the Arts in 2010, she currently resides and creates her artwork in Kitanagoya, Aichi Prefecture, Japan. She has held solo exhibitions at various institutions such as ARARIO GALLERY SEOUL (Seoul, Korea, 2024), Gallery A (Shizuoka, Japan, 2022), Yebisu Art Labo (Aichi, Japan, 2022; 2017; 2013; 2012), as well as group exhibitions held at ARARIO GALLERY SEOUL (Seoul, Korea, 2024), Bunkamura Gallery (Tokyo, Japan, 2023), ARARIO GALLERY SHANGHAI (Shanghai, Korea, 2022), Ginza Tsutaya Books (Tokyo, Japan, 2021), Nagoya Denki Community Hall (Aichi, Japan, 2017) and more. Her works are held in collections by institutions such as Nagoya University of the Arts (Japan), ARARIO MUSEUM (Korea), and more.
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Black Hole Sun 블랙홀 태양, 2024
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Black Hole Sun 블랙홀 태양, 2024
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Black Hole Sun 블랙홀 태양, 2024
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Black Hole Sun 블랙홀 태양, 2024
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Black Hole Sun 블랙홀 태양, 2024
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Black Hole Sun 블랙홀 태양, 2024
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Black Hole Sun 블랙홀 태양, 2024
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Black Hole Sun 블랙홀 태양, 2024
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Black Hole Sun 블랙홀 태양, 2024
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Black Hole Sun 블랙홀 태양, 2024
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Black Hole Sun 블랙홀 태양, 2024
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Black Hole Sun 블랙홀 태양, 2024
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Floating in Vague Memories 모호한 기억을 유영하기, 2024
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Floating in Vague Memories 모호한 기억을 유영하기, 2024
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Floating in Vague Memories 모호한 기억을 유영하기, 2024
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Happy Birthday 해피 버스데이, 2024
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Kukuzen (Boat Car) 쿠쿠젠 (보트 카), 2024
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Kukuzen (It is Fuzzy) 쿠쿠젠 (흐리다), 2024
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Kukuzen (Spacing Out) 쿠쿠젠(멍하니), 2024
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Landscape for Color 색을 위한 풍경, 2024
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Landscape for Color 색을 위한 풍경, 2024
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Landscape for Color 색을 위한 풍경, 2024
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Landscape for Color 색을 위한 풍경, 2024
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Naozari Skateboard 어설픈 스케이트보드, 2024
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T-O Map T-O 지도, 2024
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T-O Map T-O 지도, 2024
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Untitled 무제, 2024
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Untitled 무제, 2024
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Black Hole Sun 블랙홀 태양, 2023
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Black Hole Sun 블랙홀 태양, 2023
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Gravity Moon 중력을 가진 달, 2023
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It Is Very Far 아주 먼, 2023
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Landscape for 『吽 (hum)』 『흠(吽)』을 위한 풍경, 2023
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Landscape for 『阿 (a)』 『아(阿)』를 위한 풍경, 2023
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Landscape with Mandragora 만드라고라가 있는 풍경, 2023
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Lost 길 잃은, 2023
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Not Even on Ship 어디에도 없는, 2023
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Pneuma 프네우마, 2023
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Pneuma 프네우마, 2023
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Small House 작은 집, 2023
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Untitled, 2023
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Untitled, 2023
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Untitled 무제, 2023
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Arrow Mark 화살표, 2022
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Bamboo grove ghost, 2022
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Desiderium, 2022
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Flight into Egypt 이집트로의 비행, 2022
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I Don't Know, Suddenly… 잘 모르겠어, 갑자기…, 2022
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Kukuzen, 2022
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Kukuzen, 2022
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Kukuzen "Tent" 쿠쿠젠(栩栩然) "텐트", 2022
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Kukuzen (Tree), 2022
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Ozanari Skateboard 경솔한 스케이트보드, 2022
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Pneuma 프네우마, 2022
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Three Branch 세 개의 가지, 2022
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Two Branch 두 개의 가지, 2022
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Liminality, 2021
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Map 지도, 2021
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One Big Boot 큰 신발 하나, 2021
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Stroll 산책, 2021
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Utopos, 2021
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Colors for Plants 식물들의 색, 2020
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It Becomes Soil and Becomes Fruit 토양이 되고 열매가 되어, 2020
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Koko Ni Aru To Iukoto (Being Here) 여기 있다고 말하는 것, 2020
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See You Again 다시 만나, 2020
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The Landscape is for Plants, 2020
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The Wind Is Blowing 바람이 분다, 2020
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Trimming for the Plant. A 식물을 위한 자르기. A, 2020
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Trimming for the Plant. B 식물을 위한 자르기. B, 2020
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Trimming for the Plant. C 식물을 위한 자르기. C, 2020
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Visit 방문, 2020
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Fishing in the Sky 하늘 위의 낚시, 2019
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Fishing in the Sky 하늘 위의 낚시, 2019
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Memories of Mount Tsubakuro 츠바쿠로산의 기억, 2019
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On the Way From School to Home. A 학교에서 집으로 돌아가는 길. A, 2019
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On the Way From School to Home. B 학교에서 집으로 돌아가는 길. B, 2019
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On the Way From School to Home. C 학교에서 집으로 돌아가는 길. C, 2019
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Tea Party 티 파티, 2019
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Time to Go Home 집에 갈 시간, 2019
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To Naragonia, 2019
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Accident 우연, 2018
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Landscape for Azumino 아즈미노를 위한 풍경, 2018
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Untitled 무제, 2014
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Before the Storm 폭풍 전야, 2013
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The Girl 소녀, 2011
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