JEONG Kyeongbin
JEONG Kyeongbin (b.1993) unfolds thoughts about life and death on the synesthetic screen painted with the image of the body. White Wall_Bodies and Ground (2023) is a painting that stands out for its metaphor of likening the canvas surface to skin. Imagining the process of a buried body gradually surfacing on the ground, the painting fills the view with layers of blood-red flesh peeled off. In Clearer than Death (2021), the willow branches on the screen are combined with the image of hair that fell out incessantly on sick days. Death is scary because it also approaches through the body. The brilliantly painted screen is a trace of life buried a step away from such fear.
JEONG Kyeongbin was born in Seoul in 1993. She recieved her BFA Fine Art at Korea National University of Arts in 2018. She has held solo exhibitions at Sahng-up Gallery (Seoul, Korea, 2022), Gallery175 (Seoul, Korea, 2020), Instant Roof (Seoul, Korea, 2020). She has participated in group exhibitions at ARARIO GALLERY SEOUL (Seoul, Korea, 2024), Museumhead (Seoul, Korea, 2023), HITE Collection (Seoul, Korea, 2023), Sahng-up Gallery (Seoul, Korea, 2023), WESS (Seoul, Korea, 2023; 2021), Art Space 3 (Seoul, Korea, 2022), This Is Not a Church (Seoul, Korea, 2021) and more.
-
Art in Culture: Landing Point
Kwon Hyuck Gyu, Art in Culture, 2024年3月1日 -
Allure: Landing Point
Lee Jae Yoon, Allure, 2024年2月3日 -
Vogue: Landing Point
Hwang Hye Won, Vogue, 2024年1月24日 -
Maeil Business: Landing Point
KIM Seul Gui, Maeil Business, 2024年1月22日 -
KtN: Landing Point
Lim Woo Kyung, KtN, 2024年1月12日 -
Noblesse: Landing Point
Park Jae Man, Noblesse, 2024年1月11日 -
Aju Korea Daily: Landing Point
Jeon Sung Min, Aju Business, 2024年1月11日 -
Newsis: Landing Point
Park Hyun Joo, Newsis, 2024年1月11日