What kind of connections and leap ups does NOH Sangho have from his previous works. The previous exhibition, THE GREAT CHAPBOOK, reduced the weight of the narrative and context by painting the shape thinly on the screen. NOH explains himself as a carbon paper and ordering him to be as thin as possible, is also a pattern of minimizing subjective choices and thinking from pouring images and giving him the initiative in some ways. On the other hand, his recent works seems to abolish the narrative and intention at all by leaving AI to minimize even the existing work that minimizes the narrative and intention of the picture. However, this description will omit the actions of the main agent who selects and provides images in advance in order to give more weight on AI in process. AI-generated images are put at the front, but behind them is the main agent as an AI user and source provider.
